Professor of Italian Literature; Italian Graduate Adviser
Office: 
Wieboldt 218
Phone Number: 
773.702.4447
Email: 
Education: 

PhD University of Minnesota, 2000

BA University of California, Berkeley, 1991

 

Program(s): Italian

Professor Steinberg joined the Department of Romance Languages and Literatures faculty in 2003. His scholarship focuses on medieval Italian literature, especially on Dante, Boccaccio, Petrarch, and the early lyric. Related interests include manuscript culture/material philology, reception studies, the connections between legal and literary culture, and medieval political theory.

Based on original research of manuscripts and documents, his first book Accounting for Dante: Urban Readers and Writers in Late Medieval Italy (Notre Dame: Notre Dame UP, 2007) re-examines and re-theorizes Dante’s relation to his contemporary public, especially those lay readers--namely merchants and notaries--who first copied, preserved, and circulated his poetry. It won the MLA’s Scaglione Publication Prize for a Manuscript in Italian Literary Studies. His most recent book, Dante and the Limits of the Law (Chicago: Univ. of Chicago Press, 2013) offers the first comprehensive study of the legal principles underlying Dante’s Divine Comedy, focusing on legal exceptions as fundamental both for Dante's political vision as well his poetics. Currently, he is working on theological/legal/literary conceptions of fictio, on Dante's engagement with the question of "Jewish" justice, and on a book project (Mimesis on TrialEvidence, Inquest, and Realism in Boccaccio's Decameron) exploring the connection between procedures for investigating and depicting crime and representations of the real in the trecento novella.

Professor Steinberg is also Editor-in-Chief of the journal Dante Studies.

Steinberg CV

 

Selected Articles

  • “Dante’s First Dream between Reception and Allegory: The Response to Dante da Maiano in the Vita nova.” In Dante the Lyric and Ethical Poet. Dante lirico e Etico. Edited by Zygmunt G. Barański and Martin McLaughlin. Oxford: Legenda, 2010, pp. 92-118.
  • Rime disperse: Petrarch’s Damned Poetry and the Poetics of Exclusion.” In Petrarch: A Critical Guide to the Complete Works. Edited by Victoria Kirkham and Armando Maggi. Chicago: University of Chicago Press, 2009, pp. 85-102. 
  • “Dante estravagante, Petrarch disperso, and the Spectre of the Other Woman.” In Petrarch and Dante: Anti-Dantism, Metaphysics, Tradition. Edited by Theodore Cachey and Zygmunt Barański. William and Katherine Devers Series in Dante Studies. Notre Dame: Notre Dame Press, 2009, pp. 263-289.
  • “La Compiuta donzella e la voce femminile nel manoscritto Vat. Lat. 3793.” Giornale Storico della Letteratura Italiana 601 (2006): pp. 1-31.

These and other articles are viewable here.

Awards, Honors, and Professional Experience

  • Franke Institute for the Humanities Fellow, 2013-2014
  • ACLS Fellowship, 2009-2010
  • MLA Aldo and Jeanne Scaglione Publication Award for a Manuscript in Italian Literature, 2005
  • Franke Institute for the Humanities Fellow, 2005-2006
  • Fulbright-Hayes Grant for research in Italy, 1996-1997

Selected Courses Taught

  • Dante's Divine Comedy
  • Dante e i suoi rivali
  • Poeti del Duecento
  • The Making and the Unmaking of Petrarch's Canzoniere
  • Boccaccio minore
  • Boccaccio's Decameron